A consummate performer and four time GRAMMY Nominee, including her last three albums: Peace, Love & BBQ (2008), Live! Down The Road (2005) and So Many Rivers (2003), plus an earlier nomination for Sing It! (1998) with Irma Thomas and Tracy Nelson. She has a great new record ‘Roadside Attractions.’ Always a sell out.
Take cover: there’s a storm coming. With its lyrical thunderbolts, lightning-flash fretwork and ground-shaking grooves, Black Wind Howlin’ is a record to blow your roof off – and Samantha Fish has stood at the eye of the hurricane. ‘It has a rebellious streak,’ says the bandleader of her game-changing new album, ‘and a prevalent theme is, ‘I’m not gonna take your sh*t anymore.” Released in September 2013 on Ruf Records, Black Wind Howlin’ flips a finger at the clich?? of the ‘difficult second album’, firing off 12 classic tracks that chart Samantha’s evolution as songwriter, gunslinger and lyricist. ‘Since completing Runaway back in 2011,’ she reflects of her solo debut, ‘I’ve been on tour pretty much non-stop. I’ve spent a lot of time writing, playing and listening to music. I feel like the themes and the sound of my music have matured. To me, it’s about the human experience from my perspective, as well as people I’ve come into contact with over the last few years.’ While lesser artists work to a template or settle into a pigeonhole, Samantha shifts her shape across the Black Wind Howlin’ tracklisting. She can be brutally rocking on cuts like the tour bus snapshot of ‘Miles To Go’ (‘Twelve hours to Reno/ten hours til the next show’), the swaggering ‘Sucker Born’ (‘Vegas left me weary, LA bled me dry/skating on fumes as I crossed the Nevada line.’) and the venomous ‘Go To Hell’ (‘Oh, this ain’t my first rodeo/You hit yourself a dead end/Your voodoo eyes, ain’t gonna cast a spell/So you can go to hell!’). ‘I’ve become tougher,’ she notes of these head-banging moments, ‘and I think that was reflected in the sound we went for.’
The award-winning, hard-touring, guitar slinger blends smoking electric funk and slide guitar, jazzy instrumentals and a tight blues groove with soulful, feminine vocals. Add to the mix her incredible stage presence, all of which makes her an irresistible force in the world of contemporary blues music. During 2013 Ana has appeared on the cover of Vintage Guitar, Guitar Player’s Gear Guide and American Blues Scene. Her album ‘Can You Stand The Heat’ was a ‘Pick Of The Week’ by USA Today and featured on NPR Music. Nearly all of Ana’s albums made it the Top 5 of the Billboard Blues Charts and are being played regularly on US radio. This year Ana was added to the ‘all-star’ Experience Hendrix lineup; a nationwide tour celebrating the music and legacy of Jimi Hendrix w/ Buddy Guy, Bootsy Collins, Brad Whitford (Aerosmith), Jonny Lang, Kenny Wayne Shepherd, Zakk Wylde and many more world renown artists. Ana is nominated ‘Contemporary Blues Female Artist’ at the 2014 Blues Music Awards, her 5th nomination till date. She performed all over the world doing an impressive average of 120 shows per year. Ana Popovic was born in Belgrade (formerly Yugoslavia) and grew up in a warm and loving family where music was very important. All throughout her youth, her father would invite friends over for nightly jam sessions. In this atmosphere, she quickly learned her father’s impressive blues and soul record collection, grabbed his guitar and started playing at the age of fifteen. Since then, Ana has developed into a phenomenal guitarist/vocalist with a growing legion of fans throughout the world.
Paradise,’ an album about longing and desire and the ways in which the pursuit of fulfillment can keep it perpetually out of our reach, is The Wood Brothers’ most sophisticated work to date and also their most rocking, with bassist Chris Wood playing electric on tracks for the first time. Recorded at Dan Auerbach’s Easy Eye studio in Nashville, ‘Paradise’ captures the latest chapter in the ongoing evolution of a band’and a family’navigating the joy and challenges of a life in music. Dubbed ‘masters of soulful folk’ by Paste, The Wood Brothers released their debut studio album, ‘Ways Not To Lose,’ on Blue Note in 2006. You’d be forgiven at the time for expecting it to be something of a side project. Chris Wood already had legions of devoted fans for his incomparable work as one-third of Medeski, Martin & Wood, while his brother Oliver toured with Tinsley Ellis before releasing a half-dozen albums with his band King Johnson. Almost a decade later and with drummer Jano Rix added as a permanent third member, it’s become quite clear that The Wood Brothers is indeed the main act. ‘Paradise’ follows the bands acclaimed 2013 release ‘The Muse,’ which was recorded almost entirely live around a tree of microphones in Zac Brown’s Southern Ground studio. Hailed previously by the New York Times for their ‘gripping’ vocals and by the LA Times for their ‘taught musicianship,’ the live setting proved to be a remarkable showcase for the brothers’ live chemistry and charismatic magnetism. Taking a different approach to their sixth studio album, the decision to record in Nashville was no coincidence, as ‘Paradise’ marks the first album written with the entire band living in Music City.
For over 30 years, Greg has been at the forefront of the singer songwriter movement. He’s an American treasure melding blues, folk, and jazz into his own unique sound. He’s still at the top of his game with his stunning new release ‘Hymns to What is Left.’ Continue reading
These days Jonathan is likely to be found on the road. I’ve been…doing what I do best, which is playing live in front of people. I’ve been concentrating on that and loving it,’ he says. An artist who measures his success by his ability to attract and take good care of an audience for four decades, Jonathan maintains that it is the feedback he receives after his shows that keeps him going. ‘Sometimes, in our darker moments, we imagine our music not finding receptive ears, unable to reach open hearts. So it is really gratifying to hear [someone say], ‘Your stuff has meant a lot to me over the years.” On the verge of his fifth decade in the music business, Jonathan Edwards shows no sign of turning into a ‘Sit Down Rock and Roll Man.’ Upcoming plans include new markets, new audiences, new songs, and a new studio recording. As this barefoot troubadour prepares for the next stage of his journey, you are more than welcome to join him for an evening or two as he continues to make good on that promise he made all the way back in 1971: ‘Sunshine, come on back another day. I promise you I’ll still be singing.’
The Garcia Project faithfully channels and projects the feelings, emotions and music that propelled the Jerry Garcia Band and the fans through many years of musical bliss. It’s about family, soul searching, rejoicing, contemplating, celebrating, seeking truth and loving one another. It’s The Garcia Project. The Garcia Project performs actual, full, classic Jerry Garcia Band shows from the 70’s, 80’s and 90’s ‘ creating the Jerry Garcia Band experience for old fans to relive or new fans to enjoy for the first time.
Pianist, composer and lyricist, Dave Bass, is a great American success story that reads like a riveting bio-pic script. This Cincinnati native began piano lessons at age seven, and shortly after graduating high school, formed his own band who opened for Captain Beefheart. He was soon accepted into Boston’s Berklee College of Music, leaving after just a few months to study piano with the legendary Madame Margaret Chaloff. Madame schooled him and other young, immensely talented jazz artists as Keith Jarrett, Steve Kuhn and Kenny Werner, who understood the importance of developing a signature sound and style. Chaloff taught in the ‘Russian Technique’ ‘ a unique tool for tone production and musical articulation. A typical lesson might not go beyond using a ‘weightless wrist’ to correctly play a single note. While in Boston, he also studied composition with George Russell and Avram David, again formed his own band, worked a variety of commercial gigs, serendipitously landing a great stint as Brenda Lee’s pianist, leaving Boston behind for multiple tours of Japan, Singapore and Malaysia. In June 2010, he released his first CD, GONE, with the Dave Bass Quartet featuring Ernie Watts, Babatunde Lea, Gary Brown and guest vocalist, Mary Stallings, showcasing ten Dave Bass original rock-solid compositions ranging from post-bop, sultry ballads, to gospel, straight-ahead, and to Bossa Nova and Tango. In addition to Dave’s ten originals, GONE features an exciting duet with Ernie and him on Astor Piazzolla’s famous Libertango. Produced by Babatunde Lea and Dave Bass, GONE hit #2 on the national JazzWeek Radio Charts after only 3 weeks. Bolstered by such great national interest and radio play, Dave was inspired to write new, exhilarating compositions and arrangements for his new CD, NYC Sessions, featuring jazz legends Phil Woods, Karrin Allyson, Harvie S, Ignacio Berroa, Conrad Herwig, and others. Dave also brought a new dimension to two of his instrumental compositions from GONE with his original lyrics and vocals by Karrin Allyson on Lost Valentine, and Paulette McWilliams on Since I Found You. National tours and a new label affiliation are currently in the works. Stay Tuned! Who said lawyers can’t swing?
Crafting a unique style that mixes poetic ballads with swinging rockers, Eilen Jewell ranks among the best in the Americana genre today. As the reigning Queen of the Minor Key, Jewell leads a tight quartet who blend influences of surf noir, early blues, rockabilly, and 1960s era rock and roll. Over the course of a decade, Eilen and her band have toured relentlessly. They have performed for legions of fans from Boston to Boise and Madrid to Melbourne at festivals, theaters, rock clubs and coffeehouses. Eilen’s fans marvel at her warmth, unique wit, and onstage humor alongside her beautiful songs and fiery performances. Jewell’s fifth studio album, Sundown Over Ghost Town was released in May of 2015 (Signature Sounds). The album was recorded with Eilen’s longtime road band in her hometown of Boise, and is composed of twelve stunning, original compositions that feature some of her most personal stories yet.