JUNE 17, 2017
Time: 8:00 pm
Day of Show: $33.00
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A great double bill…
Renowned songwriter, singer, true believer, Alejandro Escovedo released Burn Something Beautiful on October 28th, 2016 via Fantasy Records. The new album, Escovedo’s first solo endeavor since 2012’s highly acclaimed Big Station, is in actuality, a highly collaborative affair. Teaming with Peter Buck (R.E.M.) and Scott McCaughey (The Minus 5) to co-write the album’s songs, Escovedo also enlisted the pair to act as the project’s producers.Escovedo and company take some mighty big swings here. At once a celebration of the rock and roll life, a contemplation on mortality, and the healing power of love, Burn Something Beautiful connects repeatedly with Escovedo’s soulful heart and voice at its core. Recorded in April at Portland’s Type Foundry studio, the project coalesced with the help of an esteemed group of musicians who give the album a genuine band feel. They include guitarist Kurt Bloch (The Fastbacks), drummer John Moen (The Decemberists), vocalists Corin Tucker (Sleater-Kinney) and Kelly Hogan (Neko Case, The Flat Fie) as well as saxophonist Steve Berlin (Los Lobos).
In a trailblazing career that began with The Nuns, San Francisco’s famed punk innovators, to the Austin-based-based alt-country rock pioneers, Rank & File, to Texas bred darlings, True Believers, through countless all-star collaborations and tribute album appearances and finally a series of beloved solo albums beginning with 1992’s acclaimed Gravity, Escovedo has earned a surplus of distinctions: No Depression magazine’s Artist of the Decade Award in 1998 and the Americana Music Association’s Lifetime Achievement Award for Performing in 2006, just to name two.
Chuck Prophet will be performing a rare acoustic set.
Gritty and jangly, Chuck’s new album features 13 original works that explore doomed love, loneliness and fast paced violence via Chuck’s muscular songwriting craft. They include songs about Fuller, the death of David Bowie, and the killing of a San Francisco security guard named Alex Nieto that drew international headlines as “Death By Gentrification.”
‘Bobby Fuller’ finds Chuck coming full circle. He cut the album to tape at Hyde Street Studio in San Francisco, which also happens to be the same studio where Prophet did his very first recording session, while still in high school. Chuck brought out his ’64 Stratocaster for the sessions, conjuring a sound that Jonathan Richman once described as “gasoline in the sand, like a motorcycle at a hot dog stand.”