7th Annual Block-a-Palooza ft. Samantha Fish 7/11/19

Block-a-Palooza is back for the seventh year in a row! This year’s event features blues-rocker Samantha Fish.

Block-a-Palooza will take place on South Main Street in front of the District Court House in downtown Fall River, MA. This is a free event. Parking will be available at the Third Street Garage and the Pearl Street Garage. Continue reading

Samantha Fish 10/27/18

After launching her recording career in 2009, Samantha Fish quickly established herself as a rising star in the contemporary blues world. Since then, the charismatic young singer-guitarist-songwriter has earned a reputation as a rising guitar hero and powerful live performer, while releasing a series of acclaimed albums that have shown her restless creative spirit consistently taking her in new and exciting musical directions.  Continue reading

Samantha Fish

Take cover: there’s a storm coming. With its lyrical thunderbolts, lightning-flash fretwork and ground-shaking grooves, Black Wind Howlin’ is a record to blow your roof off – and Samantha Fish has stood at the eye of the hurricane. ‘It has a rebellious streak,’ says the bandleader of her game-changing new album, ‘and a prevalent theme is, ‘I’m not gonna take your sh*t anymore.” Released in September 2013 on Ruf Records, Black Wind Howlin’ flips a finger at the clich?? of the ‘difficult second album’, firing off 12 classic tracks that chart Samantha’s evolution as songwriter, gunslinger and lyricist. ‘Since completing Runaway back in 2011,’ she reflects of her solo debut, ‘I’ve been on tour pretty much non-stop. I’ve spent a lot of time writing, playing and listening to music. I feel like the themes and the sound of my music have matured. To me, it’s about the human experience from my perspective, as well as people I’ve come into contact with over the last few years.’ While lesser artists work to a template or settle into a pigeonhole, Samantha shifts her shape across the Black Wind Howlin’ tracklisting. She can be brutally rocking on cuts like the tour bus snapshot of ‘Miles To Go’ (‘Twelve hours to Reno/ten hours til the next show’), the swaggering ‘Sucker Born’ (‘Vegas left me weary, LA bled me dry/skating on fumes as I crossed the Nevada line.’) and the venomous ‘Go To Hell’ (‘Oh, this ain’t my first rodeo/You hit yourself a dead end/Your voodoo eyes, ain’t gonna cast a spell/So you can go to hell!’). ‘I’ve become tougher,’ she notes of these head-banging moments, ‘and I think that was reflected in the sound we went for.’