Quinn Sullivan has been a music professional for more than 75 percent of his life. He’s shared the stage with Buddy Guy, Eric Clapton, Los Lobos, The Roots, Derek Trucks & Susan Tedeschi and Joe Bonamassa, and he opened for B.B. King, who later invited him to play his treasured “Lucille” guitar. He has performed on concert and festival dates throughout the United States – including at storied venues like Hollywood Bowl, RFK Stadium and Madison Square Garden – traveled overseas – performing at both the Montreux Jazz Festival and India’s Mahindra Blues Festival – and played several editions of the Experience Hendrix Tour, backed by Jimi’s original bassist Billy Cox. He’s also appeared on national TV, with guest appearances on The Tonight Show with Jay Leno, Oprah, Late Night with Jimmy Fallon, Conan and twice on The Ellen DeGeneres show.
Yes, Sullivan has packed some extraordinary experience into his decade-long career, and that’s even more remarkable when you consider that he’s only 17. His third studio album, Midnight Highway, was produced by multi GRAMMY® winner Tom Hambridge – who also does double duty as Quinn’s studio and road drummer – and has been released on January 27th in North America, and on March 24th in the rest of the world. The album is yet another milestone in Quinn’s extraordinary journey, which began with him jamming with the kids music combo Toe Jam Puppet Band at age three, appearing on Ellen when he was six, and being taken under the wing of blues legend Buddy Guy at age eight, whose protégé he remains to this day.
Quinn’s age and enduring relationship with Buddy Guy is certainly notable, but so too is his total dedication to his craft. “I wanted to see how far we could get musically on this album. I had a lot more creative input on this one and was more active in writing, so it’s something of a mixture. I didn’t want to completely break away from the blues – that’ll always be my home ground – but I just wanted to stretch out. Mastering the vocals was important too and was the result of a lot of playing and touring, and studying with a vocal coach. I’ll admit I hit an awkward stage with my voice when it was changing a few years ago, but I like the way things have worked out so far.”