Monthly Archives: October 2019

Marc Broussard 4/4/20

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Marc Broussard is a singer, songwriter, performer, and humanitarian. His commitment to making the world a better place is a mantra that he has been bound to since the beginning of his career. It has always been about tying music to a mission, one reason that his new studio album entitled A Lullaby Collection and book, I Love You For You, were created to educate and inspire younger audiences.

The album, the third in Broussard’s independently released SOS (“Save Our Soul”) series, finds him reimagining a series of standards that are easily identified as lullabies — songs such as “Danny Boy,” “Sweet Baby James,” “Moon River,” among others, which are calming, soothing and enticing all at the same time. The 11-song album also includes two Broussard originals, “Bedtime” and “Gavin’s Song.” Continue reading →

Film Screening: “WBCN and The American Revolution” 12/19/19

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Screening of “WBCN and The American Revolution,” the new, award-winning landmark documentary film on the early days of the legendary underground radio station set against the profound political, social, and cultural changes of the late-1960s and early-70s in Boston and nationally.

It’s the “incredible true story of how a radio station, politics, and rock and roll changed everything.”

Q & A with director Bill Lichtenstein and WBCN airstaff to follow screening.

Eric Lindell: Unplugged and Acoustic 2/15/20

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With his raspy, soulful voice and instantly memorable original songs, roots-rocking multi-instrumentalist Eric Lindell is a true one-of-a-kind talent. Mixing West Coast rock and swampy Gulf Coast R&B with honky tonk country and Memphis soul, Lindell creates American roots music that is both surprisingly fresh and sweetly familiar. Since his first self-release over two decades ago, Lindell has earned critical and popular acclaim, first in his dual home bases of Louisiana and Northern California and then across the country. Although influenced by American roots music from blues to country to rock, Lindell’s style is all his own. He has performed thousands of gigs in roadhouses, clubs, concert halls and festivals and has appeared on national radio and television. His live shows overflow with happy, dancing people singing the words to every song. Continue reading →

Neal & The Vipers 2/14/20

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NEAL & THE VIPERS are a Rhode Island based band who play American Roots Music encompassing blues, rock & roll, rockabilly, and surf, that will get you up out of your chair to dance all night long!  When the show is over, you will feel full of energy and looking forward to catching the next show.

The Vipers are professional musicians; all experts in their instruments with decades of playing experience that is one of the keys to their amazing performances.  You can feel the chemistry between them as they play hits from their many original songs off their CD’s as well as covering classic songs such as “Little Wing,” “Hey Joe,” “Right Place Wrong Time” and instrumentals like “Sleepwalk” and “Pipeline.”  The Vipers always put their own spin on these classic songs, making them their own.  Some fans even say that they enjoy hearing their versions better than the original.
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*SOLD OUT* Bob Mould (Solo) 1/17/20

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Ever-evolving artist Bob Mould—whose face belongs on the Mount Rushmore of alternative music—decided to “write to the sunshine,” as he describes it, not because he likes the current administration. It comes from a more personal place—a place found in Berlin, Germany, where he’s spent the majority of the last three years. Here Mould would draw inspiration from the new environments.

The theme, the cathartic vocals, and the strings all amount to Mould’s catchiest, grabbiest album since Copper Blue, the acclaimed 1992 debut of his trio Sugar. Back then, Mould’s work in Hüsker Dü, as a solo artist, and in Sugar helped define the sound of guitar rock in the alternative age. Sunshine Rock finds him doing it again for an era that has ostensibly eschewed rock. Continue reading →

The Englishtown Project 1/18/20

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Featuring the music of The Grateful Dead, New Riders of the Purple Sage, and Marshall Tucker Band.

Performed by an all-star jam band featuring members of New Riders of the Purple Sage, Zen Tricksters, and Max Creek.

On September 3rd, 1977, the Grateful Dead headlined one of the largest and most musically successful concerts of all time at Raceway Park in Englishtown N.J. In addition to the Dead, who had just completed its legendary Spring / Summer 1977 tour featuring a batch of new material from Terrapin Station, the show also included the Dead family’s New Riders of the Purple Sage and the good-time, southern rock Marshall Tucker Band. This tribute extravaganza will feature healthy “doses” of selections from each band’s sets that day with a relaxed, festival style program.

Entrain 1/24/20

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*Due to unforeseen circumstances, this show was rescheduled from 2/21/20 to 1/24/20. All tickets purchased for the original date will be honored for the new date.*

“Entrain . . . merges funk, rock, reggae, swamp, and worldbeat rhythm into a sweaty good time . . .” – The Boston Herald

Epic in sound and kaleidoscopic in vision, the eclectic Martha’s Vineyard-based six-piece Entrain has been thrilling critics and fans alike since its inception.

Formed by drummer Tom Major in 1993, Entrain is also lead singer/guitar wiz Brian Alex.  Joining them is bassist M’Talewa, saxophonist/keys/percussionist Rob Loyot,  saxophonist/percussionist Hilary Noble and Trombone/keys Lennie Peterson  Veterans all, their collective resume includes stints with such diverse players as Bo Diddley, Carly Simon, Chuck Berry, Southside Johnny, James Montgomery, Flor De Cana, and Blood, Sweat, and Tears. Continue reading →

Richard Marx: An Acoustic Evening of Love Songs 2/18/20

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As a performer, songwriter and producer, Richard Marx’s nearly three-decade-long career has had innumerable of highlights. The Chicago native has sold more than 30 million albums worldwide, starting with his self-titled debut which went to #8 and spawned four Top 5 singles, including the chart-topping “Hold on to the Nights,” with “Don’t Mean Nothing” earning him a Grammy nomination for Best Male Rock Vocal Performance. The follow-up, 1989’s Repeat Offender, was even more successful, hitting #1 and going quadruple-platinum with two #1 singles in “Satisfied” and “Right Here Waiting.” When both Rush Street (with two #1 AC hits in “Keep Coming Back” and “Hazard”) and Paid Vacation (with its #1 AC hit, “Now and Forever”) went platinum, Marx achieved a seven-year string of triumphs that rivaled any in pop-rock music history. To this day, he is the only male artist in history to have his first seven singles reach the Top 5 on the Billboard charts. Continue reading →

Robbie Fulks 3/13/20

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Robbie Fulks is a singer, recording artist, instrumentalist, composer, and songwriter. His most recent release, 2017’s Upland Stories, earned year’s-best recognition from NPR and Rolling Stone among many others, as well as two Grammy® nominations, for folk album and American roots song (“Alabama At Night”).

Fulks was born in York, Pennsylvania, and grew up in a half-dozen small towns in southeast Pennsylvania, the North Carolina Piedmont, and the Blue Ridge area of Virginia. He learned guitar from his dad, banjo from Earl Scruggs and John Hartford records, and fiddle (long since laid down in disgrace) on his own. He attended Columbia College in New York City in 1980 and dropped out in 1982 to focus on the Greenwich Village songwriter scene and other ill-advised pursuits. Continue reading →